I admit it actually took me a really long time to listen to what
Coroner's last two records had to offer - I've loved the first three
Coroner records ever since I got into thrash metal as a genre (hell, RIP was even one of the first dozen or so I listened to outside of the Big Four), but I always heard that the last two records were never on par with the earlier records. Which i've come to sort of disagree with, because
Mental Vortex is not only one of
Coroner's best records, but still one of the finest thrash metal records you'll find, period.
Mental Vortex continues from where
No More Color left off, and what the final song on that record first approached, this record brings into full force. This is still technical, progressively minded thrash, but overall the biggest difference is that on this record,
Coroner worked on the atmosphere more than on previous records, and on using the bass and drums to create more of a groove than on the previous records. (not in the
Pantera way either) It is a somewhat simpler album than previous works, but
Coroner pull it off with the same quality and character that defined the band throughout their entire career, resulting in an album that still manages to be one of the finest thrash records of the genre's final days.
In terms of consistency, this rivals pretty much any other
Coroner record you can name. These songs are pretty impressively written throughout and very meticulously put together; in terms of overall arrangement and structure, the songs flow together very well on here, and none of the songs are poorly written at all. The riffwork is still as impressive in quality as you should expect from
Coroner; they're incredibly well written and highly memorable throughout. The drums and bass create an impressive backing on here; while they don't stand out as much as on an album like
No More Color, they do their job incredibly well throughout. (the drumming, in particular has a more 'swing'-alike sense of rhythm that fits the nature of the songs perfectly)
In addition, the useage of atmospheric sections, particularly in songs like "Son of
Lilith" and the chorus to "Semtex Revolution", among others, is also impressive. They're implemented superbly into these songs without coming off as out of place or poorly segued into. The majority of these songs are more mid-paced than previous
Coroner records, but it works impressively well. The aforementioned "Son of
Lilith", "Divine Step", "
Metamorphosis", and "
Pale Sister" are among the absolute best songs in
Coroner's entire discography, and the rest isn't far behind. Even The Beatles cover at the end of the record is twisted into something that fits into the overall tone and vibe of the rest of the album, something that's also pretty impressive.
The musicianship is absolutely superb.
Coroner were always one of thrash's most talented bands, and
Mental Vortex continues that tradition perfectly. Tommy Vetterli continues to prove why he's one of metal's finest guitarists, and as mention, the rhythm section does a great job at their task throughout. The production is also absolutely fantastic on this record, with every instrument coming off clear in the mix, and overall comes off as very polished without being sterile.
There's not much else to say:
Mental Vortex is an excellent record. It doesn't quite dethrone RIP and
No More Color as my favourite LP from this band, but it is undoubtedly a worth part of any metal fan's collection, period. Highly recommended.
You must be logged in to add a comment