Considering that
Preludium's homeland is the birthplace of legendary blackened death metal and death metal bands such as
Behemoth,
Hate and
Vader, it is unsurprising that
Impending Hostility, the band's third full length release, display a marked similarity to their fellow countrymen.
With martial sounding drums in the background, the album starts off with
Legacy of Destinations, and the drums coming into the foreground as the song starts off proper. While the ending of the opening track,
Legacy of Destinations, ends abruptly, leaving the listener hanging on the cliff, wondering if there was more, it was quickly made up through the introduction of the following track,
Realm of
Void which displays what
Preludium's
Impending Hostility is all about: no mercy, just face-ripping blackened death metal, with the speed and intensity maintaining at this level throughout the album. The closing track,
Warfare, is probably one of the few moments where there is a slight slow down in the tempo, and where the speed is lost,
Preludium makes up with the heightened intensity levels. It is also the only instrumental track on the album, and while it doesn't feature the usual shredding that instrumental tracks have, the atmosphere dark and heavy, providing a fitting end to the album, with drums that remind the listener of the introduction fading out.
The song structures and execution styles are reminiscent of what
Behemoth have done, from the riffing styles down to the vocal styles, with Lukasz's vocals even sounding like a cross between
Nergal and
Vader's Peter Wiwczarek. However, despite the comparison to
Behemoth, drummer Piotr chooses instead to focus on the speed and the intensity of the drumming instead of the variation of styles, unlike
Inferno's style of drumming. Guitarists Jan and Lukasz also favour pinch harmonics in their songs, such as on the track
Desolation where pinch harmonics were constantly utilised throughout the song.
The album also seems to lean more towards death metal compared to the usual black/death metal bands, featuring a more brutal touch to the songs, and the heavy chugging that is prevalent throughout more prominently displays their leaning towards death metal. If you are looking for black/death metal that leans more towards death metal style riffing and soloing, this record is recommended for you.
However, while this record by itself has no major fault of its own, it does nothing to make itself stand out in the sea of black/death metal bands and albums that have popped out in recent years and it would have certainly been more enjoyable if the band were able to craft out a trademark sound of their own.
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